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<title>Latest Articles by Vijay</title>
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<title>Art forms of The-Greek</title>
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<pubDate>Fri, 11 Apr 2008 00:00:00 -0500</pubDate>
<description><![CDATA[ Mycenaean Art happened from roughly 1550 to 1200 BC on the Greek mainland. Even though the Mycenaean and Greek cultures were 2 separate entities, they occupied the identical lands, successively. The latter learned a few things from the former, including how to construct gates and tombs.<br />Besides architectural explorations including Cyclopean masonry and "beehive" tombs, the Mycenaean’s were breathtaking goldsmiths and potters. They raised terracotta from merely functional to beautifully decorative and segued right out of the Bronze Age into their own insatiable appetite for gold. Approximately 1200 and the Homeric fall of Troy, the Mycenaean culture declined and died, followed by an artistic period known both as Sub-Mycenaean or the "Dark Ages". This phase, lasting from c. 1100 - 1025 BC, saw a bit of permanence with the previous artistic doings, but no improvement.<br />From 1025 - 900 BC, the Proto-Geometric period saw earthenware beginning to be decorated with simple shapes, black bands and wavy lines<br /><br />Geometric Art has been dispensed through the years of 900 - 700 BC. Its name is wholly descriptive of the art created during this period. Pottery decoration moved ahead of simple shapes to also include animals and humans. Everything, however, was provided with the use of simple geometric shapes.<br /><br />Archaic Art, from (700 - 480 BC), began with an Orientalizing Phase (735 - 650 BC). In this, elements from other civilizations began to sneak into Greek art. The elements were those of the Near East. The Archaic period is best known for the beginnings of realistic portrayals of humans and monumental stone sculptures. It was during the Archaic that the limestone kouros (male) and kore (female) statues were created - always showing adolescent, nude, smiling persons.<br /><br />Classical Art (480 - 323 BC) was generated during a "golden age", from the time Athens rose to eminence, to Greek extension and right up until the decease of Alexander the Great. It was during this phase that human statues became so heroically proportioned. Of course, they were insightful of Greek Humanistic belief in the aristocracy of man and, perhaps, an aspiration to look a bit like gods as well as the discovery of metal chisels capable of working marble.<br /><br />Hellenistic Art (323 - 31 BC) - quite like Mannerism - went a wee bit over the top. By the time Alexander had died, and things got disorganized in Greece as his kingdom broke apart, Greek sculptors had mastered carving marble. They were so technically just right, that they began sculpt impossibly heroic humans. People simply do not look as faultlessly symmetrical or beautiful in real life, as those sculptures - which may give explanation why the sculptures remain so popular after all this existence.<br /><br /><br />--<br />Vijay is a Copywriter of <a href="http://www.1artclub.com">oil painting reproductions.</a> He written many articles in various topics. For more information visit: <a href="http://www.1artclub.com">art reproduction paintings</a> contact him at <a href="mailto:1artclubpainting@gmail.com">1artclubpainting@gmail.com</a><br><br>Source: <a href="http://www.articletrader.com/">http://www.articletrader.com</a> ]]></description>
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<title>An Introduction to Leonardo da Vinci and His Paintings</title>
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<pubDate>Fri, 22 Feb 2008 00:00:00 -0600</pubDate>
<description><![CDATA[ Leonardo da Vinci is also known as ‘Leonardo di ser Piero da Vinci’ was born on 15th April 1452 was a Tuscan polymath. He was a great mathematician, inventor, scientist, engineers, botanist, architect, anatomist, sculptor, writer, musician and a greatest painter of all times. He was born at Vinci, Florence; whose father was Piero da Vinci and his mother was a peasant girl. Da Vinci has worked in places like Bologna, Venice and Rome; he spent his last final years in France at a place offered by the King Francois l. Leonardo da Vinci has been described as a universal genius and know as the ‘Renaissance man’. He was renowned for two of his works; the Mona Lisa and The Last Supper. These were the two paintings which are considered to be the most religious paintings, most parodied portrait and reproduced. <br /><br />The Mona Lisa is an amazing sixteenth century portrait painting worked on poplar panel with oil. It is also known as La Gioconda (La Jocondda), this is the most arguably and famous painting in the world and few other works of art has been subject to as much study, scrutiny, parody and mythologizing. Now the painting is owned by the French government at the Musée du Louvre (Museum of Louvre) in Paris, France. The painting is a half length portrait that depicts a lady whose gaze meets the viewer's with an expression often described as mysterious. The haziness of the sitter's look, the monumentality of the half figure composition and the delicate modeling of forms and atmospheric illusionism were novel characters that have been contributed to the painting's continuing attraction.<br /><br />The Last Supper is a fifteenth century mural painting, worked for his patron Duke Ludovico Sforza and for his duchess Beatrice d' Este. The painting represents a scene of the last supper of Jesus Christ during his final days, when Jesus announced that one of his twelve disciples would be disloyal to him. This painting measures about 460 × 880 centimeters or 15 feet × 29 feet and the painting can be found at the back halls of the dining hall at Santa Maria delle Grazie in Milan, Italy. Leonardo painted this on a dry wall rather than on a wet plaster, so it is not a true fresco. As fresco can’t be modified as the artist works, he instead wanted to seal the wall with layers of gesso, pitch and mastic. The paint was preserved with tempera, as it is one of the methods used, however the piece didn’t withstand well; within many years of completion it already began to show signs of deterioration.<br /><br /><br />--<br />Vijay is a Copywriter of <a href="http://www.1artclub.com">Oil painting.</a> He written many articles in various topics. For more information visit: <a href="http://www.1artclub.com">Famous art painting</a> contact him at <a href="mailto:1artclubpainting@gmail.com">1artclubpainting@gmail.com</a><br><br>Source: <a href="http://www.articletrader.com/">http://www.articletrader.com</a> ]]></description>
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<title>Different types of Oil Paintings Support</title>
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<pubDate>Thu, 20 Dec 2007 00:00:00 -0600</pubDate>
<description><![CDATA[ An oil painting support is any kind of surface to which oil paint could be applied to. There are huge varieties of different surfaces, which artists use to paint on. Everything from certain woods, canvas, and as well metals could be used as a supports for oil painting. Following are the various types of oil painting supports that will help you decide the best for your style of oil painting. <br /><br />Linen <br /><br />Linen is generally created from the fibers of the flax plant. The fibers are then developed into yarns or threads that are then made into canvas. The fibers of the flax plant are huge and moderately strong and make for an extremely attractive and hard-wearing oil painting support. Paintings carried out on this surface have endured the test of time. It is for this reason that linen canvas is a preferred amongst expert oil painters. There are assortments of different linen canvases accessible in the market, from rolled canvas to pre-stretch. It comes prepared for acrylic and oils, or you could get it unprimed as well. <br /><br />Cotton <br /><br />Cotton canvas is the most admired support for starter oil painters. It is a comparatively strong material and much reasonable than linen. It has an extremely even and perfunctory weave. If you are actually worried about the sturdiness of cotton, then purchase a profound grade cotton canvas and try widening it yourself. Cotton canvas is obtainable in rolls or pre-stretched, primed or unprimed. <br /><br />Canvas pads <br /><br />For those artists who might be on a tight budget but yet desire a good quality surface for oil paintings, then canvas pads are a superior choice. Canvas pads come in a range of various sizes and are amazing for starters interested in oil painting reproduction. Canvas pads are grand for practice also or doing studies. Make sure you get a heavy weight canvas pad compatible to hold oil paint. <br /><br />Wood panels <br /><br />The first known oil paintings were shaped on wood panels made of oak or poplar. The wood was actually covered with a consistent ground made of animal skin paste and chalk. The ground was then elegant smooth to generate a surface appropriate for oil paint. <br /><br />Your choice of oil painting support actually relies up on your style of painting. Experiment with the different types of oil painting supports accessible in the market and have fun. You would ultimately find one that works best for you. <br /><br /><br />--<br />Vijay is a Copywriter of <a href="http://www.1artclub.com">Art paintings.</a> He written many articles in various topics. For more information visit: <a href="http://www.1artclub.com">Oil paintings for sale</a> contact him at <a href="mailto:1artclubpainting@gmail.com">1artclubpainting@gmail.com</a><br><br>Source: <a href="http://www.articletrader.com/">http://www.articletrader.com</a> ]]></description>
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<title>The Benefits of Investing Houston Real Estate</title>
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<pubDate>Mon, 26 Nov 2007 00:00:00 -0600</pubDate>
<description><![CDATA[ Houston Home market has predictably been believed to be a safer and clever investment option, and this is because to two reasons. One, the price of Houston homes never comes down, particularly if the piece of real estate is in a occurring place, and secondly, and it is somewhat profitable as opposed to other obtainable investment options such as buying gold, mutual funds, and other currency investments. It is true that the price of real estate keeps fluctuating and it is in fact an expected phenomenon of the real estate market. But, provided that you intimately study the market trends and move along with the happening changes, there is only negligible risk involved in the entire real estate business. If someone loses cash in the business, then that is only analytical of how bad his business skills are, even though other inescapable conditions could as well sometimes lead to losses.<br /><br />Another characteristic to take note in real estate investment is that as contrasting to other conservatively considered investment options; real estate investing might take a longer period of time to generate any real profits. It cannot just occur overnight. Another benefit with investing in real estate is that it does not need any real prior experience in the area to set the ball moving. The business is all about buying a Houston home for some value – it increases with the place and as well the size of the land/building bought – and reselling the bond for a senior rate to earn profits. <br /><br />Yet another plus with Houston real estate investing is that one could initiate the proceedings even with no spending a solitary penny from their personal savings. In reality, this is the way wealth for investments in real estate has been usually raised. Either potential investors seek public contribution or they take mortgages from banks to fund their projects. These days, since banks are very open-minded in issuing mortgages, capital buildup is almost a non-issue. For a probable investor, it is just about outstanding an appropriate deal with any of the well-trendy banks in Houston.<br /><br />To sum it up, investing in Houston real estate is quite a rewarding idea, provided one has the drive and fervor to execute it to yield steady profits. It also doubles up as a high-quality job for young people who are determined and self-driven. <br /><br /><br /><br />--<br /> John Russel is a Copywriter of <a href="http://www.yourownhoustonhome.com">Houston Homes.</a> He written many articles in various topics. For more information visit: <a href="http://www.yourownhoustonhome.com">New home in texas</a> contact him at <a href="mailto:yourownarticles@gmail.com">yourownarticles@gmail.com</a> <br /><br><br>Source: <a href="http://www.articletrader.com/">http://www.articletrader.com</a> ]]></description>
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<title>History of Oil Paintings</title>
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<pubDate>Wed, 21 Nov 2007 00:00:00 -0600</pubDate>
<description><![CDATA[ Oil Paintings are the stuffs of a certain time and certain set, and art history of course tries to place these works in their superior setting. Any body learning western art, for instance, would study to be familiar with the styles of the Oil painting reproduction, Baroque, traditional, idealistic and Modern periods, and to know the complex interaction of consideration, support, civilization and monetary issues, which the oil paintings represent. It is to such a sympathetic that art critics refer when they insist that art today has to be comprised with contemporary issues. <br /><br />The history of oil painting goes back to very old times when man endeavored to detain his world and knowledge in paint. It was profound in the grottos of Southern Europe when man assorted animal fats with earth and stain to form what could be measured as the first oil paints. The paint was then altered onto the walls of the grotto, with the prehistoric images of the hunters and the animals sought after becoming the earliest creative creations of humankind. <br /><br />The oil painting medium developed when during the time of 15th century, Jan van Eyck the well known Belgian painter found that linseed oil and oil from nuts can be mixed with different colors to generate dazzling oil colors. Though there is proof that some English artists from the 13th Century made use of oils, van Eyck leftovers the discoverer and first advocate of oil painting technique, as we know it these days. In modern times, oil painting color is one of the most in style choices of appearance by artists globally, as it offers enormous variety & methods, strong depth of color vitality and durability that allow paintings to last thousands of years. <br /><br />It is as well one of the most lenient mediums – the paint could be simply directed on the canvas and if you make a error you could always clean the color off the canvas (only with a cloth dipped in turpentine), due to the length of ventilation time. The amazing flexibility of oil color provides itself completely to the customary painting techniques of joining together and glazing, impasto and scumbling on a huge number of surfaces, giving the artist excellent results. These days oil painting reproduction is gaining more and more popularity.  <br /><br /><br /><br />--<br />Vijay is a Copywriter of <a href="http://www.1artclub.com">Art reproductions.</a> He written many articles in various topics. For more information visit: <a href="http://www.1artclub.com">Oil painting</a> contact him at <a href="mailto:1artclubpainting@gmail.com">1artclubpainting@gmail.com</a><br><br>Source: <a href="http://www.articletrader.com/">http://www.articletrader.com</a> ]]></description>
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<title>Tips for maintaining good Oil Painting habits</title>
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<pubDate>Fri, 02 Nov 2007 00:00:00 -0500</pubDate>
<description><![CDATA[ Following are the tips for you to maintain good oil painting habits:<br /><br />Tips for saving color: <br />•	Clean away any mixtures near heaps of colors you are setting up to keep. <br />•	Keep a habit to put colors in same place on palette - used up areas must be worn out & wiped for new oil paint for next painting session. <br />•	For disposable palettes scoop off mounds of paint you desire to maintain with your knife and move them to a fresh sheet; if a skin shapes, stab and take away the skin and work with the new color under. <br />•	If you are not regular on painting for a week - cover palette with plastic cover & place in freezer.<br />•	When you desire to clean your palette clean off central mixing area of wooden/acrylic palette, when you are done with your oil painting,<br />•	For caring for tube keep tubes clean, wipe necks & caps. <br /><br />Caring for your brushes: <br />•	Wipe to take away surplus paint on rags, newspaper, etc. <br />•	Rinse in container of solvent not advisable to soak. <br />•	Clean your oil painting brush with rags, newspaper to immerse up solvent <br />•	You can also use mild soap (shampoo or dawn), put dab in palm of your hand, foam brush in palm moving in circle to work foam into bristles. <br />•	Lather & wash it in lukewarm water until soap suds are snow white, & rinse with clear water; bristles might discolor. <br />•	Press bristles into tidy, solid shape while moist. <br />•	Let it dry and store in jar bristle-end up. <br /><br />Safety precautions: <br />•	Read labels on oil paints and mediums - some are gently toxic (cadmium colors), so you need to careful with it. <br />•	Avoid consumption of food or smoking while you paint <br />•	Wash hands carefully after oil painting reproduction session; try using lotion to hands before hand, paints would wash off easier <br />•	Some solvents don't create deadly fumes, any how, must be used in well air room - open a window <br />•	Some solvents are combustible also and toxic (gasoline, kerosene) - stick to turpentine and petroleum stuff made for artist's use.<br /><br /><br /><br />--<br />Vijay is a Copywriter of <a href="http://www.1artclub.com">Artist oil painting. </a> He written many articles in various topics. For more information visit: <a href="http://www.1artclub.com">Famous art painting</a> contact him at <a href="mailto:1artclubpainting@gmail.com"> 1artclubpainting@gmail.com</a><br><br>Source: <a href="http://www.articletrader.com/">http://www.articletrader.com</a> ]]></description>
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<title>Steps for cleaning oil paining brush</title>
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<pubDate>Fri, 14 Sep 2007 00:00:00 -0500</pubDate>
<description><![CDATA[ An artist’s most helpful and valuable tools are his or her paining brushes. To keep a paintbrush long-lasting as long as doable, it’s very significant to get all the clean out of the bristles after painting. But before you actually start cleaning it, you will have to bring some paint thinner or soap. Either one would work, even though you might wish for mineral spirits since it is normally of less pungent odor. <br><br>Here’s the process generally used for cleaning oil painting brushes.<br><br>Take your oil painting brush with one hand and a piece of paper with the other; wrap the paper around the metal part of the brush. Then simply squeeze it as tightly as possible, start from the base of the bristles. Try getting as much paint as possible out from the painting brush. <br><br>Do this process few times, and particularly try to remove all the paint, which was stuck close to the ferrule. You must complete it with splotches of paint all through your paper and a lot less of the paint left in your brush.<br><br>Repeat the pressing method with more paper, but be warned that it could also get a little messier this time around since your painting brush would have picked up a lot of the fluid thinner. You must see a quite a bit more color moving out of the bristles however.<br><br>To finish the cleaning process of oil painting brush, pump some liquid soap you’re your palm of one hand and hold the paint brush with your other. Rinse out entire soap and use your paper one last time to get most of the water out of the bristles.<br><br>It’s significant to clean your brushes just after you finish painting, even when you’re enticed to let them sit for a day or two. Letting them soak up in paint thinner is not a good option either; it would just deteriorate the glue holding the bristles in place. Although it might look like huge effort, excellent care and cleaning of your painting brushes would help them last longer and stay functional all through their lifespan – keeping you from the irritation of using worn out tools, and eventually saving you some money as well. <br><br><br><br /><br />--<br />vijay is a Copywriter of <a href="http://www.1artclub.com">Oil painting.</a> He written many articles in various topics. For more information visit: <a href="http://www.1artclub.com">Art reproductions</a> contact him at <a href="mailto:1artclubpainting@gmail.com"> 1artclubpainting@gmail.com</a><br><br>Source: <a href="http://www.articletrader.com/">http://www.articletrader.com</a> ]]></description>
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<title>How do I clean my oil painting</title>
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<pubDate>Tue, 07 Aug 2007 00:00:00 -0500</pubDate>
<description><![CDATA[ One may come across many advices about cleaning an oil painting, but those tips must come with a major disclaimer. More than other types of rough and ready projects on cleaning oil paintings must really be trusted to professional conservators. Anyhow, if your oil painting is not really old, not terribly valuable, or not too important, there are other potential ways to make it appear good and cleaner yourself. Furthermore altering true antiques more or less forever decreases their value, whether or not they appear better to you. <br><br>If it seems that your oil painting reproduction is little older, evaluate whether the paint is in good condition but the varnish has become older. In this case, try applying a gentle solvent known as conservation liquid. Some of the art supply stores may sell an “emulsion” intended to clean and remove varnish. There is always a chance that the solvent would as well harm or remove the oil paint. If you are ready to risk this possibility, pat the emulsion with a cotton swab quite delicately. Try spot testing one corner before moving on to the whole canvas. Work in an area where you find adequate ventilation. <br><br>For any of the recent oil paintings, your trouble is more probable a loudening of dust, smoke, pet hair, dander, and other bacterial or fungal growth. In this case, ensure none of the paint is set to come off the canvas or board, sense that it doesn't display any cracks or flakes. Then you could vigilantly dust the surface with a very soft, dry bristle brush, like a baby toothbrush or shaving cream brush. <br><br>When the surface is steamy, dirty, or oily, you might desire to take the cleaning a step further and in fact uses a mild detergent solution. Again, in general speaking, oil and water must never mix, as moisture could be damage both the canvas and the impasto. Proceeding with care, use brand original cotton cloths dipped in a mixture of dish soap and only the warm water. Lightly blot the surface, but do not rub, wipe, or rub at the oil painting. At no point you should sink any part of the painting, nor permit so much moisture that it drips or pools.<br><br /><br />--<br />Vijay kanth is a seo copywriter having more than 3 years of experience in this field who is currently working for the site 1artclub.com. For further information on <strong><a href="http://www.1artclub.com">oil paintings</a>, <a href="http://www.1artclub.com">art <br>reproduction</a></strong> and Solvents please visit <a href="http://www.1artclub.com/">http://www.1artclub.com/</a> or contact me through mail: 1artclubpainting@gmail.com.<br><br><br>Source: <a href="http://www.articletrader.com/">http://www.articletrader.com</a> ]]></description>
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<title>Advantages of Oil Paints and Painting</title>
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<pubDate>Wed, 01 Aug 2007 00:00:00 -0500</pubDate>
<description><![CDATA[ Painting artists have been using oil paints for hundreds of years. Actually, they have been seen from as early as 13th century in England, where they used oil paints for simple decoration. In the early years, however, many artists preferred to use paints called tempera instead on using oil paints as they were able to dry faster than oil paint. In the 15th century, Flemish artists came up with the idea of mixing oil paint and tempera. Nevertheless, it was not until the 17th century that pure oil paints became a more usual art medium. <br><br>Oil painting dries slowly than any other forms of paint because they are made of small particles of pigments that are balanced in a drying oil. While some of the artists might find this slow drying quality troublesome, most artists believe oil paints to be a required type of art media that must be taught to every art student. This is partly because of the many oil painting reproduction, which have been developed using oil paints. <br><br>There are several advantages of using oil paints, aside from its robust quality. Oil paints could as well be left open for a long duration. In fact, oil paints could regularly be left opened to air for up to several weeks without drying. This characteristic makes it possible for an artist to work on a painting over different sessions with no fear of the painting drying up too early. Of course, this attribute could be seemed at as a disadvantage by some artists, because it takes few weeks for the project to be completed and the slow drying process could make it difficult to move on to the next stage of the project. <br><br>Oil paints are as well outstanding for blending with surrounding paint. When blended on canvas, oil paints are able of creating artistic brush strokes and other blends, which are not possible with other forms of paint. For some artists, though, this advantage to oil paints could be viewed as a disadvantage, as it is possible to by chance blend colors while painting that were not meant to be blended. <br><br /><br />--<br />Vijay kanth is a seo copywriter having more than 3 years of experience in this field who is currently working for the site 1artclub.com. For further information on <strong><a href="http://www.1artclub.com">oil paintings</a>, <a href="http://www.1artclub.com">art <br>reproduction</a></strong> and Solvents please visit <a href="http://www.1artclub.com/">http://www.1artclub.com/</a> or contact me through mail: 1artclubpainting@gmail.com.<br><br><br>Source: <a href="http://www.articletrader.com/">http://www.articletrader.com</a> ]]></description>
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<title>Inside the life of Leonardo da Vinci</title>
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<pubDate>Wed, 25 Jul 2007 00:00:00 -0500</pubDate>
<description><![CDATA[ The usage of oil paintings widely spread during the period of renaissance in Italy. It was so tedious that artists portraying oil paintings recipes containing olive oil were warned by a German monk, Theophilus in the 12th century. Oil painting techniques were invented or rather re-invented by the well-known Flemish artist Jan van Eyck in or around 1410.After him, it was Leonardo da Vinci who acclaimed the greatest credits amongst the renaissance painters.<br><br>Leonardo da Vinci was born in April 15, 1452 in Tuscany, Italy, to Ser Piero, a 25 year old notary and Caterina, a peasant girl. He was one amongst the few artists who achieved iconic status and legendary fame during his own lifetime. He was well renowned for his achievements as an artist, besides his diverse skills as a scientist and an inventor. His artistic masterpiece includes the Mona Lisa and the Last Supper, being the famous ever artwork created.<br><br>Leonardo was apprenticed at the age of fifteen to Andrea Del Verrochio in Florence. During this time he painted an angel in Verrochio's "Baptism of Christ", which was for better than Verrochio's works that Verrochio resolved to never paint again. The undisputed fact about da Vinci was his first known work dated 1473, was a drawing of Arno Valley. “Madonna and Child” completed in 1478, was his first solo painting. “Adoration of the Magi” was his first work of great significance commissioned by monks of San Donato a Scopeto. He introduced the themes of drama and movement. He pioneered the use of Chiaroscuro. This was the procedure of defining forms through the contrast of shadow and light.<br><br> In 1482, he went to the service of Duke of Milan, Ludovico Sforza. During his service for the 16 years, he branched into other interests like anatomy and engineering. “Madonna on the Rocks” and also “the Last Supper” was painted by him during this period. These highly regarded spiritual paintings depicted the feast Christ had, where he was about to announce his imminent betrayal. In 1499, his patron the Duke of Milan was defeated in a French invasion which led to the painting "Battle of Anghiari".<br><br>In 1503, Da Vinci started his work on the eternal Masterpiece "Mona Lisa". Completed in 1506, it was the portrait of a wife of a Florentine noble. The lady came several days for the portrait but refused to smile, Leonardo even hired musicians to make her smile. One day Leonardo captured her fleeting smile which encapsulates a tremendous mysteriousness which is both intriguing and fascinating. That smile has made her eternal, immortalized the artist and the art.<br><br>The techniques of sfumato and chiaroscuro have been mastered by Leonardo. Sfumato is the technology of the gradual switch from a colour to the other by giving very delicate and expressive images. In 1513, he moved to Rome where he accompanied the patronage of the new Medici Pope, Leo X. In 1515, he left to spend the rest of his life at the castle of Cloux, near Amboise after he was invited by Francis I of France. Leonardo’s portrait was used during his lifetime with the iconic image of Plato in Raphael’s School of Athens. His immortal painting Mona Lisa was the most imitated artwork of all time. His drawing of Vitruvian man iconically represents the fusion of Art and Science.<br>He was of so amazingly prolific  that the King of France bore him  like a trophy of war ,gave him support in his old age and cradled his head as he died on May 2,1519.Words are of no justice for his accomplishments.<br><br /><br />--<br />Vijay kanth is a seo copywriter having more than 3 years of experience in this field who is currently working for the site 1artclub.com. For further information on <strong><a href="http://www.1artclub.com">oil paintings</a>, <a href="http://www.1artclub.com">art reproduction</a></strong> and Solvents please visit <a href="http://www.1artclub.com/">http://www.1artclub.com/</a> or contact me through mail: 1artclubpainting@gmail.com.<br><br><br>Source: <a href="http://www.articletrader.com/">http://www.articletrader.com</a> ]]></description>
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